Here is a ‘Wunderlist’ for this years CPH:DOX. Today, London and Copenhagen is experiencing stormy, rainy Autumn weather. Therefore, I’m in an autumn-mood where all I need is a warm cup of tea, fire by the fireplace and a film about the contemplation on life. The films on this list all have contemplative elements and poetic storytelling methods. I highly recommend you to book tickets for, at least, these films at this years CPH:DOX. The quotes are taken from CPH:DOX‘s own notes on the films.
by Stephanie Spray
How can a film that is exclusively shot in one-takes with a static camera on a cable car in Nepal also be one of this year’s most celebrated cinematic achievements, especially considering that it is only three months old?
My Love Awaits Me By the Sea
by Mais Darwazah
In her poetic travelogue film, inspired by the artist and poet Hasan Hourani’s dreams and visions, the filmmaker Mais Darwazah sets off for the first time to her homeland Palestine and to the beach-front esplanade in Jaffa, where Hourani lost his life in a drowning accident.
The Machine Which Makes Everything Disappear
by Tinatin Gurchiani
With an open invitation to come to the casting for a film, the director Tinatin Guarchini gathers a group of aspiring youths in a small Georgian village. Hopeful, but still… Filmed flat against a wall and confronted by Gurchiani’s questions, the aspiring actors share their views about the future and about themselves with a striking level of honesty.
The Real Life
by Arnaud Gerber
A philosophical film work based on the French philosopher Simone Weil’s thoughts, beautifully translated into grainy 16mm footage from early modernism’s absolute center, Paris, and divided into chapters like stations on a night-time ride with the metro.
by Marius Dybwad-Brandrud
The silent drama of life and death has rarely been treated in such a stylistically consistent way as in the unmistakably Nordic ‘After You’ – and it hits you with all the more force that the film’s director has far more personal matters at stake in his film than the bright and crystal clear images at first suggest.
by Mia Engberg
An unexpected phone call from a former lover becomes the starting point for a tale of love, nostalgia and bygone days. After a long time without any contact, the Swedish film director Mia Engberg receives a phone call from her former lover Vincent.