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Eileen Agar

Earlier this month I went to Tate Britain to see their ‘Library and Archive show and tell‘ with examples of the artist Eileen Agar‘s work and some of her love letters to and from fellow artist Paul Nash, with whom she had a passionate affair. I was very inspired by her thoughts and drawings. In particular by a snippet from her book ’A Look at My Life‘ which she wrote in collaboration with Andrew Lambirth in 1988, and where she describes her work method:

‘My own method is to put myself in a state of receptivity during the day. I sit about sometimes for a quarter of an hour or more, wondering what on earth I am doing, and then suddently I get an idea for something. Either it is the beginning of a title or just the germ of a visual image. Later on, if I am stuck with a half-finished painting, I might take a snooze and after that it comes together quite simply’ (p. 125)

Eileen Agar by Lucinda Douglas-Menzies / National Portrait Gallery, London


Two Lovers, 1931 by Eileen Agar


Family Trio, 1931 by Eileen Agar


The Reaper, 1938 by Eileen Agar